Over 25 years ago, I trained as a designer at Central Saint Martins and the Royal College of Art, where I developed a passion for print using traditional letterpress — which quickly grew into a love affair with all heritage crafts. Then, for the next 20 years, I was an interpretation designer for museums and visitor experiences, fostering a range of collaborations with craftspeople, while using diverse methods of making to interpret the stories of people and places at heritage sites both at home and abroad.
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